…that the early-’90s Lambert classic, Fortress, was set in a dystopian 2017 where AI prisons and draconian one-child breeding policies had been set in place to control the population.
We have once again dropped the ball and disappointed the visionaries of yesteryear. I feel I should apologise to anyone trying to make predictions about shit less than 50 years in the future. We’re not the species you’re looking for.
– posted from my Huawei mobile phone while on my lunch break, sorry no time for anything else today.
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About Hatboy
I’m not often driven to introspection or reflection, but the question does come up sometimes. The big question. So big, there’s just no containing it within the puny boundaries of a single set of punctuationary bookends.
Who are these mysterious and unsung heroes of obscurity and shadow? What is their origin story? Do they have a prequel trilogy? What are their secret identities? What are their public identities, for that matter? What are their powers? Their abilities? Their haunted pasts and troubled futures? Their modus operandi? Where do they live anyway, and when? What do they do for a living? Do they really have these fantastical adventures, or is it a dazzlingly intellectual and overwrought metaphor? Or is it perhaps a smug and post-modern sort of metaphor? Is it a plain stupid metaphor, hedged around with thick wads of plausible deniability, a soap bubble of illusory plot dependent upon readers who don’t dare question it for fear of looking foolish? A flight of fancy, having dozed off in front of the television during an episode of something suitably spaceship-oriented? Do they have a quest, a handler, a mission statement, a department-level development objective in five stages?
I am Hatboy.
https://hatboy.blog/2013/12/17/metalude-who-are-creepy-and-hatboy/
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